New York Times Notable Book Los Angeles Times Book Prize Finalist Wall Street Journal—One of Five Best Artist Biographies Edward Hopper's canvasses are filled with stripped-down spaces and unrelenting light, evocative landscapes, and the lonely aspects of men and women seemingly isolated in their surroundings. What kind of man had this haunting vision, and what kind of life engendered this art? No one is better qualified to answer these questions than art historian Gail Levin, author and curator of the major studies and exhibitions of Hopper's work. In this intimate biography she reveals the true nature and personality of the man himself—and of the woman who shared his life, the artist Josephine Nivison.

Hopper is generally considered the major twentieth-century realist. Such paintings as House by the Railroad, Early Sunday Morning, and Nighthawks seem to embody the very character of our time. Yet few people have penetrated the mask of Hopper's public image. Here, Gail Levin has gone beyond the standard evaluations of the man and his work to investigate the authentic identity of the artist and the way his personality informed his art. She has uncovered aspects of Hopper's life (and even unknown works) that provide the first comprehensive view of the artists early development. The fascinating and often poignant story of Hopper's long struggle for recognition gives new insight into his later pessimism. A complex man is revealed, introspective and intellectual, yet romantic, illuminating the many levels of meaning in the paintings of his maturity. In addition to Hopper's watercolors and oil paintings, there are study drawings for his major works and documentary photographs illuminating all phases of his life.

Born to Jewish radical parents in Chicago in 1939, Judy Cohen grew up to be Judy Chicago-one of the most daring and controversial artists of her generation. Her works, once disparaged and misunderstood by the critics, have become icons of the feminist movement, earning her a place among the most influential artists of her time. In Becoming Judy Chicago, Gail Levin gives us a biography of uncommon intimacy and depth, revealing the artist as a person and a woman of extraordinary energy and purpose. Drawing upon Chicago's personal letters and diaries, her published and unpublished writings, and more than 250 interviews with her friends, family, admirers, and critics, Levin presents a richly detailed and moving chronicle of the artist's unique journey from obscurity to fame, including the story of how she found her audience outside of the art establishment. Chicago revolutionized the way we view art made by and for women and fundamentally changed our understanding of women's contributions to art and to society. Influential and bold, The Dinner Party has become a cultural monument. Becoming Judy Chicago tells the story of a great artist, a leader of the women's movement, a tireless crusader for equal rights, and a complicated, vital woman who dared to express her own sexuality in her art and demand recognition from a male-dominated culture.

Lee Krasner is best known as the artist-wife of Jackson Pollock, the renowned abstract expressionist painter. Yet in this riveting biography, the first full-length account of her colorful life, Krasner emerges as a significant artist who deserves her place in the twentieth century's cultural lexicon.

In this captivating book, art historian Gail Levin probes Krasner's relationship with Pollock, examining how this strong woman struggled to meet the challenges of their poverty, as well as her husband's alcoholism and extramarital affair, all the while encouraging his art. Drawing on new sources and numerous personal interviews--including with Krasner herself--Levin has written a dynamic and moving portrait of a brilliant woman, a most welcome work that recovers Krasner's voice and allows us to understand how her life intersected with and informed her art.

The Eleventh Edition features updated coverage of electronic sources, both subscription-based (including Bloomberg Law, Westlaw Edge, Lexis+, Checkpoint, Wolters Kluwer (CCH), Tax Notes, and HeinOnline) and those available without charge (particularly those provided by the government). It discusses factors to be considered in deciding between print and online research. Chapters discussing primary sources illustrate several online sources for finding these materials. This book devotes considerable space to publicly available IRS documents and legislative history materials. There are updated problems for students to solve throughout the text. The Eleventh Edition has many illustrations that complement its textual discussions.

Luise Kaish was a key figure in the New York art scene of the late 20th century, whose multidisciplinary and process-oriented practice contributed to various artistic discourses at the time. The strength and breadth of her work, her influential role in education, and the prestigious awards she received in recognition of her practice set her apart as an early female leader in the arts. She will be remembered for her immense talent, highly individual point of view, pursuit of the sublime, keen execution, and passion for life, which, despite the tides of changing tastes, will remain forever significant.

The American artist Theresa Ferber Bernstein (1890-2002) made and exhibited her work in every decade of the twentieth century. This authoritative book about Bernstein provides an overview of her life and artistic career, examining her relationships with contemporary artists.

Bernstein's work is noteworthy, even among her more famous male contemporaries such as John Sloan, Stuart Davis, and Edward Hopper, all of whom she knew. Working in realist and expressionist styles, she treated the major subjects of her time, including the fight for women's suffrage, the plight of immigrants, World War I, jazz, unemployment, racial discrimination, and occasionally explicitly Jewish themes such as a synagogue interior or ritual objects such as a menorah. She was a member of the American Artists' Congress and painted a mural for the U.S. government during the Great Depression.

Bernstein's portrait subjects include Albert Einstein, Martha Graham, Judy Garland, Louis Armstrong, Lil Hardin, and Billie Holiday, yet it is her particular sensibility and empathy with those subjects that set her apart from her mostly male contemporaries.
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"Theresa Bernstein: A Century in Art" includes thematic essays by Michele Cohen, Patricia M. Burnham, Elsie Heung, Sarah Archino, Stephanie Hackett, Gillian Pistell, and by the editor, Gail Levin. It features more than two hundred images, including full-color reproductions of her art and rare documentary photographs, many published here for the first time. It also includes a detailed chronology of Bernstein's life, a list of public collections, and a list of her writings.

In the first edition of "Hopper's Places", Gail Levin paired paintings by Edward Hopper with her photographs of the subjects of paintings done in New York and environs, Maine, Gloucester and Cape Cod, to demonstrate how Hopper made art of everyday scenes and how he sometimes made intentional changes from what he observed. This edition includes documentary photographs and Hopper's paintings of sites in Paris, Charleston, Mexico and the western US, to give a broader view of the range of his work and how he transformed his subjects while remaining faithful to their essential features.

All of Edward Hopper's 366 oil paintings are reproduced in this volume. Many of Hopper's paintings have achieved iconographic status as statements about America, amongst other subjects are his unique view of the light of Cape Cod, and his extraordinary depiction of the buildings of Gloucester.

This magnificent volume reproduces all of Hopper's 357 watercolor paintings . They were first published in the four-volume catalogue raisonne of the artist's works. Now they are offered at a price that will make them attractive to anyone seriously interested in art. Hopper was comfortable in both oil and watercolor, although his technique with each medium varied considerably. While oils were done in the studio, often from detailed sketches with notations on colors, the watercolors were painted on location and seem far more spontaneous. In the years since Hopper's death in 1967, many of his paintings have achieved iconographic status as statements about this country. His empty cityscapes and countrysides speak of our sense of loneliness and alienation, while his fascination with the light on Cape Cod and the buildings in Gloucester result in the evocation of feelings that can only be described as uniquely American.

The definitive, complete catalogue of Edward Hopper's oils, watercolours and illustrations published in a magnificent three-volume boxed set is available once again. This extraordinary collection includes essays on Hopper's place in American art, all his illustration work, 350 watercolours, 360 oils, related texts and an easy-to-reference CD (for PC) with provenance, bibliographies, exhibition histories and excerpts from the artist's own sketchbooks.

Hopper is generally considered the major twentieth-century realist. Such paintings as House by the Railroad, Early Sunday Morning, and Nighthawks seem to embody the very character of our time. Yet few people have penetrated the mask of Hopper's public image. Here, Gail Levin has gone beyond the standard evaluations of the man and his work to investigate the authentic identity of the artist and the way his personality informed his art. She has uncovered aspects of Hopper's life (and even unknown works) that provide the first comprehensive view of the artists early development. The fascinating and often poignant story of Hopper's long struggle for recognition gives new insight into his later pessimism. A complex man is revealed, introspective and intellectual, yet romantic, illuminating the many levels of meaning in the paintings of his maturity.In addition to Hopper's watercolors and oil paintings, there are study drawings for his major works and documentary photographs illuminating all phases of his life.